{"id":15371,"date":"2026-10-26T17:19:00","date_gmt":"2026-10-26T17:19:00","guid":{"rendered":"https:\/\/thehotedit.com\/index.php\/2026\/10\/26\/clayface-director-on-how-much-mike-flanagans-script-was-in-final-film\/"},"modified":"2026-10-26T17:19:00","modified_gmt":"2026-10-26T17:19:00","slug":"clayface-director-on-how-much-mike-flanagans-script-was-in-final-film","status":"publish","type":"post","link":"https:\/\/thehotedit.com\/index.php\/2026\/10\/26\/clayface-director-on-how-much-mike-flanagans-script-was-in-final-film\/","title":{"rendered":"Clayface director on how much Mike Flanagan&#8217;s script was in final film"},"content":{"rendered":"<p> <br \/>\n<br \/><\/p>\n<div data-placement=\"Body\">\n<p>On Friday, the third film in James Gunn&#8217;s fledgling DC Universe was released in cinemas, with comic book villain <a target=\"_blank\" href=\"https:\/\/www.radiotimes.com\/movies\/scifi\/clayface-uk-release-date\/\">Clayface<\/a> following the rather more famous <a target=\"_blank\" href=\"https:\/\/www.radiotimes.com\/movies\/scifi\/superman-review\/\">Superman<\/a> and <a target=\"_blank\" href=\"https:\/\/www.radiotimes.com\/movies\/scifi\/supergirl-review-milly-alcock-dc-universe\/\">Supergirl<\/a> in taking centre stage.<\/p>\n<p>The film is helmed by British director James Watkins \u2013 whose previous big screen efforts include The Woman in Black and Speak No Evil \u2013 but this hadn&#8217;t always been the plan.<\/p>\n<p>Initially, the project was pitched by prolific horror writer\/director <a target=\"_blank\" href=\"https:\/\/www.radiotimes.com\/tv\/fantasy\/mike-flanagan-carrie-present-day-newsupdate\/\">Mike Flanagan<\/a>, who wrote the first draft of the script but then handed over directing duties due to his commitments with the <a target=\"_blank\" href=\"https:\/\/www.radiotimes.com\/tv\/fantasy\/carrie-review-prime-video\/\">Carrie TV show<\/a> and an <a target=\"_blank\" href=\"https:\/\/www.radiotimes.com\/movies\/the-exorcist-franchise-scarlett-johansson-newsupdate\/\">upcoming Exorcist movie<\/a>.<\/p>\n<div class=\"consent-placeholder consent-placeholder--custom-consent mb-md\" data-testid=\"consent-placeholder\">\n<h4 class=\"consent-placeholder__heading section-heading-1 heading-4\">Want to see this content?<\/h4>\n<p class=\"consent-placeholder__text mb-0 mt-0\">This page contains content provided by Google reCAPTCHA. We ask for your permission before anything is loaded, as Google reCAPTCHA may use cookies and other technologies. To view this content, choose &#8216;Accept and continue&#8217; to allow Google reCAPTCHA and its required purposes.<\/p>\n<p><button type=\"button\" class=\"consent-placeholder__button button--adaptive mt-sm\"><\/p>\n<p>Accept and continue<\/p>\n<p><\/button><\/div>\n<p>Flanagan is still credited as a writer on the film alongside Drive screenwriter Hossein Amini, who previously worked with Watkins on the TV show <a target=\"_blank\" href=\"https:\/\/www.radiotimes.com\/tv\/drama\/mcmafia-spoiler-free-preview-the-night-manager-with-spreadsheets\/\">McMafia<\/a>.<\/p>\n<p>So when <a target=\"_blank\" href=\"https:\/\/www.radiotimes.com\/\">Radio Times<\/a> spoke exclusively to Watkins ahead of Clayface&#8217;s release, we asked him how much of that original script made it into the final film \u2013 and what exactly the process had been after he came on board.<\/p>\n<p>&#8220;I read a script that Mike had written,&#8221; he explained. &#8220;Which was a brilliant script, and the reason for me wanting to do the project.<\/p>\n<p>&#8220;Then I pitched where I would take it as a director to James Gunn and <a target=\"_blank\" href=\"https:\/\/www.radiotimes.com\/movies\/scifi\/the-batman-part-ii-production-update-robert-pattinson-newsupdate\/\">Matt Reeves<\/a> and Peter Safran and everybody [at DC], and they liked the journey of it.&#8221;<\/p>\n<p>Watkins added that the finished film is &#8220;very much Mike&#8217;s script&#8221; but there were &#8220;natural processes&#8221; involved in the film&#8217;s evolution during preparation, shooting and post-production.<\/p>\n<p>&#8220;You just evolve things,&#8221; he explained. &#8220;Maybe you streamline scenes. [So if] there&#8217;s five scenes in a lab, you think, well, that&#8217;d be better as three. And then how do you just lean into those things.<\/p>\n<p>&#8220;So with Hossein Amini we just tried to distil the essence of what&#8217;s in the script. It&#8217;s just a natural process!&#8221;<\/p>\n<p>Of course, working in a massive franchise like this one is always going to come with a certain degree of fan expectation, and the pressures might even be higher when dealing with a character like Clayface who has never been front and centre of his own feature film before.<\/p>\n<p>But Watkins said this wasn&#8217;t necessarily something he thought about while making the film.<\/p>\n<p>&#8220;It&#8217;s funny, I don&#8217;t really worry about those pressures,&#8221; he said. &#8220;I just read a script, I see the story of the character and I just try and focus on that. All the noise is off. Really genuinely, I don&#8217;t think about. <\/p>\n<p>&#8220;So it&#8217;s like&#8230; &#8216;Okay, how do I tell this version Matt Hagen&#8217;s story, how he evolves and devolves and becomes Clayface, and how to tell that to its to the best of my ability.&#8221;<\/p>\n<p>Based on the fan reaction so far, it seems like Watkins&#8217;s approach might have paid off. In the US, the film achieved an impressive A- rating on CinemaScore, which polls cinemagoers on their way out of the film.<\/p>\n<p>As for critical reception, the verdict has been a little more mixed, with the view currently sitting at 75% on <a target=\"_blank\" href=\"https:\/\/www.rottentomatoes.com\/m\/clayface\" target=\"_blank\" rel=\"noopener\">Rotten Tomatoes<\/a> and 59 on Metacritic at time of writing.<\/p>\n<p>Our own review <a target=\"_blank\" href=\"https:\/\/www.radiotimes.com\/movies\/scifi\/clayface-dc-review\/\">awarded the film 3 stars<\/a>, describing it as &#8220;pacey, gross, but unremarkable.&#8221;<\/p>\n<p><strong>Clayface is now showing in UK cinemas.<\/strong><\/p>\n<p><strong>Check out more of our <\/strong><a target=\"_blank\" href=\"https:\/\/www.radiotimes.com\/movies\/\"><strong>Film<\/strong><\/a><strong> coverage or visit our <\/strong><a target=\"_blank\" href=\"https:\/\/www.radiotimes.com\/tv\/tv-listings\/\"><strong>TV Guide<\/strong><\/a><strong> and <\/strong><a target=\"_blank\" href=\"https:\/\/www.radiotimes.com\/streaming-guide\/\"><strong>Streaming Guide<\/strong><\/a><strong> to find out what&#8217;s on. <\/strong><strong>For more TV recommendations and reviews, listen to <\/strong><strong><u>The Radio Times Podcast<\/u><\/strong><strong>.<\/strong><\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.radiotimes.com\/movies\/scifi\/clayface-director-mike-flanagan-script-exclusive-newsupdate\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>On Friday, the third film in James Gunn&#8217;s fledgling DC Universe was released in cinemas, with comic book villain Clayface following the rather more famous Superman and Supergirl in taking centre stage. The film is helmed by British director James Watkins \u2013 whose previous big screen efforts include The Woman in Black and Speak No [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":15372,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/images.immediate.co.uk\/production\/volatile\/sites\/3\/2026\/04\/tom-rhys-harries-clayface-5e8eb88.jpg?resize=1200%2C630","fifu_image_alt":"","jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":[],"footnotes":""},"categories":[26],"tags":[11091,861,323,369,11886,2038,2645],"class_list":["post-15371","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","tag-clayface","tag-director","tag-film","tag-final","tag-flanagans","tag-mike","tag-script"],"_links":{"self":[{"href":"https:\/\/thehotedit.com\/index.php\/wp-json\/wp\/v2\/posts\/15371","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thehotedit.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thehotedit.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thehotedit.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thehotedit.com\/index.php\/wp-json\/wp\/v2\/comments?post=15371"}],"version-history":[{"count":0,"href":"https:\/\/thehotedit.com\/index.php\/wp-json\/wp\/v2\/posts\/15371\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thehotedit.com\/index.php\/wp-json\/wp\/v2\/media\/15372"}],"wp:attachment":[{"href":"https:\/\/thehotedit.com\/index.php\/wp-json\/wp\/v2\/media?parent=15371"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thehotedit.com\/index.php\/wp-json\/wp\/v2\/categories?post=15371"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thehotedit.com\/index.php\/wp-json\/wp\/v2\/tags?post=15371"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}