{"id":7509,"date":"2026-06-30T19:05:00","date_gmt":"2026-06-30T18:05:00","guid":{"rendered":"https:\/\/thehotedit.com\/index.php\/2026\/06\/30\/broadway-grosses-week-ending-6-29-26\/"},"modified":"2026-06-30T19:05:00","modified_gmt":"2026-06-30T18:05:00","slug":"broadway-grosses-week-ending-6-29-26","status":"publish","type":"post","link":"https:\/\/thehotedit.com\/index.php\/2026\/06\/30\/broadway-grosses-week-ending-6-29-26\/","title":{"rendered":"Broadway Grosses: Week Ending 6\/29\/26"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p>Click below to access all the Broadway grosses from all the shows for the week ending 06\/29\/2026 in BroadwayWorld&#8217;s grosses section. Also, you will find information on each show&#8217;s historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.<\/p>\n<p>Of note this week:\u00a0DEATH BECOMES HER, GIANT, and THE FEAR OF 13 closed on 6\/28. DEATH OF A SALESMAN had a planned seven-performance week. EVERY BRILLIANT THING had five performances with 986 seats and three performances with 985 seats this week, for a total capacity of 7,885.\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0<\/p>\n<p>Richard O\u2019Brien\u2019s THE ROCKY HORROR SHOW\u00a0<a target=\"_blank\" href=\"https:\/\/www.broadwayworld.com\/article\/THE-ROCKY-HORROR-SHOW-Breaks-House-Record-at-Studio-54-20260629\">broke the house record<\/a> at Studio 54 \u2013 with a box office take of $1,215,225 \u2013 and became the highest grossing production to play at the theatre.\u00a0<\/p>\n<p><a target=\"_blank\" href=\"https:\/\/www.broadwayworld.com\/grosses.php\"><strong>Click Here to Visit the Broadway Grosses&#8230;<\/strong><\/a><\/p>\n<h2>Up for the week by attendance (% of capacity)<\/h2>\n<h2>Down for the week by attendance (% of capacity)<\/h2>\n<p><a target=\"_blank\" href=\"https:\/\/www.broadwayworld.com\/grosses.php\"><strong>Click Here to Visit the BroadwayWorld Grosses&#8230;<\/strong><\/a><\/p>\n<p>This week (week ending 06\/29\/2026), 35 shows played on Broadway, with 291,840 tickets sold and a total gross of $36,698,946. The average ticket price was $125.75. This represents 3 fewer shows than last week. Overall capacity utilization was 87.29%, with 291,840 of 334,321 available seats filled.<\/p>\n<p>Attendance decreased by 5.22% compared to last week. Compared to the same week last year (Week 26, 2025), attendance decreased by 2.23%.<\/p>\n<p>Overall grosses fell 5.78% compared to last week. Year-over-year, grosses decreased by 6.65% ($36,698,946 vs. $39,314,834).<\/p>\n<p>The average ticket price of $125.75 was $0.74 lower than last week and $5.95 lower than the same week last year ($131.70).<\/p>\n<h2>Year-over-Year: Top 5 Gross Increases<\/h2>\n<ul>&#13;<\/p>\n<li>MJ: $1,650,542 vs. $1,228,967 (+34.3% change)<\/li>\n<p>&#13;<\/p>\n<li>HARRY POTTER AND THE CURSED CHILD: $1,500,881 vs. $1,153,577 (+30.1% change)<\/li>\n<p>&#13;<\/p>\n<li>OH, MARY!: $1,576,984 vs. $1,236,135 (+27.6% change)<\/li>\n<p>&#13;<\/p>\n<li>HAMILTON: $2,157,909 vs. $1,939,699 (+11.2% change)<\/li>\n<p>&#13;<\/p>\n<li>HADESTOWN: $790,185 vs. $746,393 (+5.9% change)<\/li>\n<p>&#13;\n<\/ul>\n<h2>Overall Capacity Utilization<\/h2>\n<p>This week: 87.3%. Same week last year: 91.3%. Change: Down 4.0 percentage points<\/p>\n<h2>Top 5 by This Week Gross<\/h2>\n<ul>&#13;<\/p>\n<li>HAMILTON: $2,157,909<\/li>\n<p>&#13;<\/p>\n<li>THE LION KING: $1,942,322<\/li>\n<p>&#13;<\/p>\n<li>DEATH OF A SALESMAN: $1,926,016<\/li>\n<p>&#13;<\/p>\n<li>MJ: $1,650,542<\/li>\n<p>&#13;<\/p>\n<li>GIANT: $1,605,805<\/li>\n<p>&#13;\n<\/ul>\n<h2>Bottom 5 by This Week Gross<\/h2>\n<ul>&#13;<\/p>\n<li>CHICAGO: $523,440<\/li>\n<p>&#13;<\/p>\n<li>TWO STRANGERS (CARRY A CAKE ACROSS NEW YORK): $528,882<\/li>\n<p>&#13;<\/p>\n<li>SIX: THE MUSICAL: $536,022<\/li>\n<p>&#13;<\/p>\n<li>DOG DAY AFTERNOON: $577,561<\/li>\n<p>&#13;<\/p>\n<li>&amp; JULIET: $619,016<\/li>\n<p>&#13;\n<\/ul>\n<h2>Top 5 by This Week Gross vs. Last Week Gross<\/h2>\n<ul>&#13;<\/p>\n<li>DEATH BECOMES HER: $342,681<\/li>\n<p>&#13;<\/p>\n<li>THE FEAR OF 13: $181,596<\/li>\n<p>&#13;<\/p>\n<li>EVERY BRILLIANT THING: $161,020<\/li>\n<p>&#13;<\/p>\n<li>GIANT: $137,215<\/li>\n<p>&#13;<\/p>\n<li>JUST IN TIME: $130,236<\/li>\n<p>&#13;\n<\/ul>\n<h2>Bottom 5 by This Week Gross vs. Last Week Gross<\/h2>\n<ul>&#13;<\/p>\n<li>THE OUTSIDERS: $-116,020<\/li>\n<p>&#13;<\/p>\n<li>JOE TURNER&#8217;S COME AND GONE: $-98,188<\/li>\n<p>&#13;<\/p>\n<li>WICKED: $-97,419<\/li>\n<p>&#13;<\/p>\n<li>TWO STRANGERS (CARRY A CAKE ACROSS NEW YORK): $-88,469<\/li>\n<p>&#13;<\/p>\n<li>THE LOST BOYS: $-78,288<\/li>\n<p>&#13;\n<\/ul>\n<h2>Top 5 by Average Ticket Price<\/h2>\n<ul>&#13;<\/p>\n<li>OH, MARY!: $220.77<\/li>\n<p>&#13;<\/p>\n<li>HAMILTON: $202.24<\/li>\n<p>&#13;<\/p>\n<li>GIANT: $200.70<\/li>\n<p>&#13;<\/p>\n<li>DEATH OF A SALESMAN: $185.71<\/li>\n<p>&#13;<\/p>\n<li>RAGTIME: $181.12<\/li>\n<p>&#13;\n<\/ul>\n<h2>Bottom 5 by Average Ticket Price<\/h2>\n<ul>&#13;<\/p>\n<li>DOG DAY AFTERNOON: $77.93<\/li>\n<p>&#13;<\/p>\n<li>STRANGER THINGS: THE FIRST SHADOW: $84.50<\/li>\n<p>&#13;<\/p>\n<li>ALADDIN: $85.45<\/li>\n<p>&#13;<\/p>\n<li>TITAN\u00cdQUE: $86.55<\/li>\n<p>&#13;<\/p>\n<li>THE GREAT GATSBY: $86.72<\/li>\n<p>&#13;\n<\/ul>\n<h2>Top 5 by % of Total Seats Filled<\/h2>\n<ul>&#13;<\/p>\n<li>HAMILTON: 100.7%<\/li>\n<p>&#13;<\/p>\n<li>DEATH OF A SALESMAN: 100.7%<\/li>\n<p>&#13;<\/p>\n<li>GIANT: 100.1%<\/li>\n<p>&#13;<\/p>\n<li>RAGTIME: 100%<\/li>\n<p>&#13;<\/p>\n<li>EVERY BRILLIANT THING: 99.9%<\/li>\n<p>&#13;\n<\/ul>\n<h2>Bottom 5 % of Total Seats Filled<\/h2>\n<ul>&#13;<\/p>\n<li>CHICAGO: 61.2%<\/li>\n<p>&#13;<\/p>\n<li>SIX: THE MUSICAL: 63.8%<\/li>\n<p>&#13;<\/p>\n<li>MOULIN ROUGE! THE MUSICAL: 66.6%<\/li>\n<p>&#13;<\/p>\n<li>THE GREAT GATSBY: 69%<\/li>\n<p>&#13;<\/p>\n<li>TWO STRANGERS (CARRY A CAKE ACROSS NEW YORK): 69.9%<\/li>\n<p>&#13;\n<\/ul>\n<h2>Top 5 by Total Attendance This Week vs. Last Week<\/h2>\n<ul>&#13;<\/p>\n<li>DEATH BECOMES HER: 1874<\/li>\n<p>&#13;<\/p>\n<li>THE FEAR OF 13: 1439<\/li>\n<p>&#13;<\/p>\n<li>CHICAGO: 626<\/li>\n<p>&#13;<\/p>\n<li>JUST IN TIME: 592<\/li>\n<p>&#13;<\/p>\n<li>STRANGER THINGS: THE FIRST SHADOW: 507<\/li>\n<p>&#13;\n<\/ul>\n<h2>Bottom 5 by Total Attendance This Week vs. Last Week<\/h2>\n<ul>&#13;<\/p>\n<li>THE LOST BOYS: -823<\/li>\n<p>&#13;<\/p>\n<li>TWO STRANGERS (CARRY A CAKE ACROSS NEW YORK): -741<\/li>\n<p>&#13;<\/p>\n<li>MOULIN ROUGE! THE MUSICAL: -723<\/li>\n<p>&#13;<\/p>\n<li>CATS: THE JELLICLE BALL: -670<\/li>\n<p>&#13;<\/p>\n<li>SCHMIGADOON!: -278<\/li>\n<p>&#13;\n<\/ul>\n<p>That&#8217;s all for this week&#8230; Note: All data presented for informational purposes only. BroadwayWorld makes no guarantee as to the accuracy of the data, or the matter in which it&#8217;s presented. Source: The Broadway League.<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.broadwayworld.com\/article\/Broadway-Grosses-Week-Ending-62926-20260630\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Click below to access all the Broadway grosses from all the shows for the week ending 06\/29\/2026 in BroadwayWorld&#8217;s grosses section. Also, you will find information on each show&#8217;s historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past. Of note this week:\u00a0DEATH BECOMES HER, GIANT, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":7510,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/cloudimages.broadwayworld.com\/columnpiccloud\/Broadway-Grosses-Week-Ending-10-15-23-1697625777.jpg","fifu_image_alt":"","jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":[],"footnotes":""},"categories":[29],"tags":[913,9053,1211],"class_list":["post-7509","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-theatre_and_comedy","tag-broadway","tag-grosses","tag-week"],"_links":{"self":[{"href":"https:\/\/thehotedit.com\/index.php\/wp-json\/wp\/v2\/posts\/7509","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thehotedit.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thehotedit.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thehotedit.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thehotedit.com\/index.php\/wp-json\/wp\/v2\/comments?post=7509"}],"version-history":[{"count":0,"href":"https:\/\/thehotedit.com\/index.php\/wp-json\/wp\/v2\/posts\/7509\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thehotedit.com\/index.php\/wp-json\/wp\/v2\/media\/7510"}],"wp:attachment":[{"href":"https:\/\/thehotedit.com\/index.php\/wp-json\/wp\/v2\/media?parent=7509"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thehotedit.com\/index.php\/wp-json\/wp\/v2\/categories?post=7509"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thehotedit.com\/index.php\/wp-json\/wp\/v2\/tags?post=7509"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}